Web isn’t nearly as offensive to the cinematic process as say a Jonah Hex (2010) or even Sony’s own Morbius (2022), but its impressive levels of apathy and mediocrity would make December’s Aquaman sequel blush in embarrassment.
Author: Kenneth Shipp
Kenneth “Commander” Shipp has had opinions on movies since he was a kid…even if that meant talking to himself. He loves tackling the issues involved with our modern blockbusters while still enjoying the deep dives into the films you may have glossed over. You may still see him comment on his other loves (video games and television) whenever he has time. You can catch all his movie reviews here and listen to him on our weekly podcasts when they start back in August!!
Dune Part Two review: A Masterpiece Among Scifi Greats
Denis Villeneuve’s carefully crafted sequel ups the ante as Timothée Chalamet’s performance as Paul Atreides wrestles with his destiny and sets the stage for further exploration within the Dune universe.
The Taste of Things review: A Tender Exploration of Longing
Trần Anh Hùng crafts an incredibly intimate journey across French cuisines through the eyes of characters portrayed by former, real-life partners Juliette Binoche and Benoît Magimel in a romantic drama you won’t soon forget.
Lisa Frankenstein review: Promising Debut for Zelda Williams
While it doesn’t hit on every mark, Frankenstein channels all the fun of 1980s teenage quasi-horror and supernatural cult hits with a modern, raunchy approach.
Godzilla Minus One / Minus Color review: More of the Same Goodness
How was the re-release of Toho Studio’s latest Godzilla flick in black and white? In a single word… Skreeoooonk
Argylle review: Matthew Vaughn Has Lost His Touch
Whatever potential the former X-Men: First Class (2011) director showed us throughout the years has fizzled out as this recent misfire combines the worst elements of spy movies with an incomprehensible plot.
How One Looney Tunes’ Character Can Perfectly Explain “Nope”
If you didn’t get the “Gordy’s Home” storyline in Jordan Peele’s Nope (2022), Commander Shipp offers a look at one character from the classic cartoon series Looney Tunes that may help you understand and connect with the rampage that kicks…
Origin review: Aspirational But Messy
There’s a lot to like about Ava DuVernay’s adaptation of Caste, weaving in the real-life strife experienced by writer Isabel Wilkerson and pointing out how connected human oppression really is…the style and construction of the journey however complicates an already…
The Color Purple review: A Bold, Unnecessary Take
While this adaptation of the stage musical showcases amazing talent and musical number, the torturous issues that plague the core story are still present and call into question who this film is meant for.
American Fiction review: Wright Is Front And Center For Once
Jeffrey Wright shines in this exploration of what makes a project “black”, zeroing in on Hollywood and pop culture’s drive towards only one type of black story, stifling any other forms of expression that don’t fit neatly inside that box.