Once again under the helm of Adil El Arbi and Bilall Fallah, Bad Boys: Ride or Die – the fourth entry into the franchise – continues the upward trend with great emotional stakes, lots of laughs, and superb action thrills…
Category: Reviews
Bones and All review: A Messy Cannibalistic Love Affair
Luca Guadagnino delivers an unsettling journey across rural 1990s America with a chilling premise and question of morality when you’ve been cursed with cannibalistic instincts.
Babes review: Motherhood Is Sweet and Gross
I promise you, you’ll never look at pregnancy the same way in Pamela Adlon’s directorial debut, with comedy stars Ilana Glazer and Michelle Buteau packing the comedic and emotional punch.
Back to Black review: A Depressingly Stale Biopic
Rising actress Marisa Abela takes on the gargantuan task of portraying Amy Winehouse’s tragic life in a biopic mired and weighed down by a problematic vision.
Outlaw Johnny Black review: A Nonsensical Western Romp
Director Michael Jai White, never lacking in a sense of humor, infuses his trademark Black Dynamite-style of blaxploitation into the old west and tackles a few complicated racial issues along the way, in the first release from his new studio,…
Challengers review: A Fascinating Spiral
Luca Guadagnino crafts an intriguing relationship triangle, powered by Zendaya’s enigmatic performance and inspired visuals that combines into one great sports drama.
Furiosa: A Mad Max Saga review
To borrow a quote from Rictus, George Miller has crafted a prequel that’s “nearly perfect in every way” and expands the terrifying depth of Furiosa’s character.
The Fall Guy review: A Stuntman’s Dream
Loosely based on the 1980s series of the same name, former stuntman Director David Leitsch crafts a fitting comedic homage to the history of stunt choreography (and set a world record while doing it).
I Saw The TV Glow Review: A Reality-Bending Throwback
Director / Writer Jane Schoenbrun’s stunning transgender allegory, while imperfect in some story beads, does a great job fusing 90s and 00s elements into a compelling exploration of life and hiding yourself away.
American Society of Magical Negroes review
Kobi Libii’s directorial debut delivers some solid laughs, but his exploration of a tired and problematic trope fails to deliver when the narrative needs it most.