Kobi Libii’s directorial debut delivers some solid laughs, but his exploration of a tired and problematic trope fails to deliver when the narrative needs it most.
Kobi Libii’s directorial debut delivers some solid laughs, but his exploration of a tired and problematic trope fails to deliver when the narrative needs it most.
A detailed recap of Caesar’s Planet of the Apes trilogy, along with a breakdown of the progression of both the world state and the characters.
With the release of The Fall Guy last week, we’re officially in the start of 2024’s summer box office. Commander Shipp provides his insight and predicts where he thinks every movie will end up when the summer ends.
Director Wes Ball kicks off a new trilogy in the Planet of the Apes series that delivers plenty of promise and intrigue, leaving the door open for new exploration or potentially rehashing the same old themes.
Alex Garland crafts a visually dense and emotionally tense thriller centered on the lives of 4 journalists as they wrestle with their roles in covering the war of the century.
David Dastmalchian takes his leading role shot as fictional late-night host Jack Delroy in a horror film that could invoke the best supernatural occult scares of the 1970-80s in a fresh found footage package.
A review of writer and director Martin McDonagh’s films and style.
While there are a few Coen trademark touches that don’t land well in this solo outing by Ethan, two rising stars in Qualley and Viswanathan make a great duo and generate plenty of laughs in this short screwball travel story.
Web isn’t nearly as offensive to the cinematic process as say a Jonah Hex (2010) or even Sony’s own Morbius (2022), but its impressive levels of apathy and mediocrity would make December’s Aquaman sequel blush in embarrassment.
Our very own staff writer, Mark Gilman, explores the ups, downs, and subspaces in between of a lifelong journey in Stark Trek Fandom through this poignant and wholesome retrospective.